Journal

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Church, Boughs, Tents, Geese, Stars, and Firewood

So.

Internet at the Ka Mamunuiitananuch Cultural Site ended up being a lot less cooperative than I expected, and I ended up having just enough time to upload the pictures for the Elder’s Gathering every day on social media… and very little else.

So, now I’m catching up with my journal posts. I couldn’t upload much video work on the Elder’s Gathering page either, so I’m editing videos and uploading them now. My computer also had issues, which I’ll get into.

But for now, my plan is to make posts covering 2-3 days, until I catch up with the present day. So here it goes!

Sun, Aug 25

Naskapi Elders: Three Naskapi women standing together outside. All three are wearing colorful headscarves – one red, one multicolored, and one yellow. They are smiling and standing closely together, one with her arm around the other two. Behind them, there are some trees and small buildings under a cloudy sky.
Inside St. John’s Anglican Church: The interior of a small church, with light-colored walls and wooden pews. People are standing, singing, or holding hymn books during a service. Several women dressed in white and purple shawls stand in the foreground. A few other attendees are seated in the pews, while a minister in white robes with a green belt moves down the aisle.

Today started with a peaceful morning at St. John’s Anglican Church in Kawawachikamach. It was wonderful to see some of the Noohooms from the Elders Gathering outside, enjoying the quiet start to the day.

A rugged side-by-side vehicle parked on a gravel lot in front of a building with brown wood siding. The vehicle, a Yamaha Rhino with a camouflage paint job, has visible dirt on its tires and body. There is a white door on the side of the building in the background, along with a few windows and a satellite dish. A couple of green trash bins are also visible near the building. The sky is partly cloudy with patches of blue.

The Naskapi Nation has been generous enough to let me use a side-by-side vehicle to get around, and I’m incredibly grateful for it. I get a little dirty, but that’s all part of the experience out here. In the summer, the dust is everywhere no matter what you drive.

A close-up shot of a serving of caribou stew inside a takeout container lined with aluminum foil. The stew contains large chunks of tender caribou meat, potatoes, carrots, and peas, all immersed in a savory broth. The rustic presentation showcases a hearty, traditional dish, highlighting its rich, homemade quality. The background features a plain, light-colored table surface, with part of a red soda can visible on the right side of the image.

For lunch, I had in one of my absolute favorite dishes—caribou stew, prepared by the cooks at the Naskapi Kitchen.

A Naskapi woman is seen holding a bright red chainsaw, working at the base of a spruce tree. She's wearing gloves and safety gear while cutting down the spruce boughs. Behind her, the forest is dense, and orange-tinged needles show signs of early fall.
A woman, smiling, carries a large bag of spruce boughs on her shoulder through a forest. She wears glasses and black clothing, with the surrounding landscape full of lush green moss and trees.
A woman standing in a forest, holding freshly cut spruce boughs in her arms. She is smiling and surrounded by conifer trees and a mossy forest floor.
Four women standing on a gravel road, holding various tools, including chainsaws and axes. They pose proudly in front of a truck filled with spruce boughs, with a cloudy sky and forest in the background.
A bearded Benjamin Jancewicz, wearing a cap and hoodie, uses a chainsaw to cut a spruce tree in the forest. He focuses on the task as small branches fall away from the cut.

Afterward, I spent some time photographing Naskapi women as they gathered spruce boughs for the elders. At one point, they handed me a chainsaw to help out, which I happily did—though I didn’t realize I was getting my picture taken too!

A man wearing a green "Wrangler" T-shirt and blue baseball cap is seen carrying a sturdy wooden pole as part of tent setup. In the background, another man wearing protective sunglasses and gloves is assisting with the assembly of a canvas tent supported by wooden poles, while other tents and a white pavilion stand under a cloudy sky.
A young Naskapi man is playfully flexing his biceps and smiling for the camera. He is wearing a bright yellow "The North Face" T-shirt and a black baseball cap with a New York Yankees logo. Behind him, a campsite is in progress with white tents arranged in rows.
A Naskapi man, dressed in a black Under Armour T-shirt, is seen using an auger to drill holes in the ground next to a traditional canvas tent. The man concentrates on the task as he works to secure the tent structure. Behind him, various tools and tents are scattered across the camp.

The men were also busy, drilling holes and trimming tent poles to set up tents for the elders.

A row of traditional tents set up by the Naskapi, framed by wooden poles tied together with rope. The ground is covered in spruce boughs, and the tents are arranged in a linear formation, creating a clear path between them. The sky is overcast, giving the scene a muted, natural tone. The tents, made of off-white canvas, are part of a camp set up for the elders.
Another view of the camp, showing more traditional tents lined up in rows. The tents have wooden frames and white canvas walls, some covered by blue tarps for additional protection. The tents create a neat pathway in the middle, with logs and supplies scattered around the camp. The cloudy sky adds to the rustic feel of the camp setup.

It’s amazing to see entire streets created by rows of traditional tents.

A woman wearing a light gray cardigan stands in front of a wooden table, holding a goose in her hands as she prepares to burn the feathers off with a blowtorch. She is focused on the task, wearing black gloves for protection. Behind her, another woman, also holding a blowtorch, works on another goose at the same table. The ground around them is dirt and there are picnic tables in the background. The setting is outdoors, with a lake and forest visible in the distance under an overcast sky. Various supplies and tools are scattered around the workspace, with partially feathered geese on the table.

Behind the Big Tent, I helped Alexandria burn the feathers off of some geese. I learned how to do this when I was young, using a campfire, but we used a blowtorch instead due to the risk of forest fires. The scent of the burning feathers brought me back.

A side view of a large black Can-Am side-by-side utility vehicle parked on a dirt area surrounded by tall grass and trees. The vehicle is muddy from off-road use and features large rugged tires and a cargo bed in the back. The background includes a partially constructed building with Tyvek wrap and metal roofing, indicating an outdoor rural setting.

Later in the day, Martha-Joanne took me out in her boyfriend’s new ride to gather supplies from Kachikayach Lake for her grandmother Norma’s tent. She was kind enough to lend me a mattress and blankets so I could stay warm in my own tent.

A panoramic view of Kachikayach Lake under a partly cloudy sky. The water is still, reflecting the clouds above, and the distant shoreline is visible, creating a tranquil scene. On both sides of the frame, green bushes and trees line the edges of the lake, while a small section of rocky shoreline is visible in the foreground. The horizon stretches across the middle of the image, with rolling hills in the distance.

Kachikayach is such a peaceful and grounding place, I miss our cabin there.

A wide-angle shot of a vibrant sunset over the tent village. In the foreground, the Naskapi flag flutters in the breeze, and a row of trucks is parked. The sky is awash with purples, oranges, and reds as the sun dips below the horizon, casting a warm glow over the rows of white traditional tents.
Another wide-angle drone shot of the tent village at sunset. The sky is filled with dramatic, colorful clouds, and the village below shows a peaceful scene with tents organized into neat rows. Trucks are scattered throughout the area, and the horizon stretches endlessly into the darkening forest.
A breathtaking sunset bathes the sky in vivid shades of red, orange, and purple. Silhouetted against the dramatic sky are traditional Naskapi tents supported by wooden poles. A Naskapi flag stands tall amidst the tents, swaying gently in the evening breeze. The horizon is lined with the silhouettes of trees, completing this peaceful, vibrant scene.

As we made our way back, the sun began to set and I flew my drone to capture the stunning colors of the sky as it dipped below the horizon.

A faint green glow from the Northern Lights spreads across the dark night sky above a silhouette of thin, towering trees in a remote forest. The sky is dotted with stars, adding to the magical atmosphere of the scene.
The greenish glow of the Northern Lights can be seen in the starry night sky above Naskapi tents, framed by tall, rustic wooden poles supporting the tents' structures. The tents have blue tops, adding a pop of color to the nighttime landscape.
A magnificent view of the night sky filled with thousands of stars and the Milky Way stretching across the horizon. The dark sky is speckled with clusters of distant stars, creating a sense of wonder and vastness.

The day ended with a moment of awe as I watched the Northern Lights dance across the sky. There’s something indescribably special about living in a place where you can casually look up and see the entire universe unfold above you.

I feel so lucky to have spent the whole day working on the land I love with the people I love.

Mon, Aug 26

A close-up selfie of Benjamin Jancewicz with a gray beard, wearing a light pink shirt. The background reveals a rugged landscape of wild plants, tree stumps, and logs, indicating a natural or forested area. The man has a calm expression and the sun is shining, casting a soft light across his face.
A shallow, clear lake with sunlight illuminating the rocks and pebbles at the bottom. The water ripples gently, creating a textured surface while maintaining visibility of the submerged, sandy-colored stones below.

I’ve come to really appreciate my mornings by Hanas Lake. There’s something so grounding and peaceful about starting the day in such a calm place. It centers me and helps me focus on the tasks ahead.

A plate of homemade breakfast consisting of scrambled eggs with melted cheese, crispy bacon, and two slices of buttered toast. The meal is set on a beige plate, resting on a gray and white patterned tablecloth. This breakfast was prepared after a return trip to Kawawachikamach for a shower and some quiet time.

There wasn’t any breakfast at the camp this morning, so I rode back to Kawawachikamach to take a good shower and make myself some breakfast.

A wiskichak (gray jay) is captured mid-flight, wings outstretched, as it flies toward a tent pole. The wooden tent structure and nearby tents are visible, set against a cloudy sky. The bird is believed to bring good luck.

As soon as I returned to the camp, a Wiskichak visited the camp, perching on my tent, and then on my neighbors. I’ve been told that these birds are good luck, and that good hunters would always leave a little bit of food out for them.

A man is standing in a large metal container filled with chopped firewood, holding a log in his hands. In the foreground, the back of a side-by-side vehicle is filled with more split firewood, ready for distribution. The scene is outdoors, under a partly cloudy sky, with another truck visible in the background. Benjamin Jancewicz is helping load and distribute firewood to various people at the camp.

Much of the camp needed firewood, so I spent most of the day helping people load up and distribute it. There’s something satisfying about contributing to the warmth and comfort of the camp, even in such a simple way.

Image of a person smiling while cleaning fish at the Naskapi Kitchen: A person wearing a light brown hoodie with "The North Face" printed on it smiles while cleaning a fish at the Naskapi Kitchen. Two others beside her work on preparing birds. In the foreground are large trays of fresh fish and birds awaiting preparation.
Image of two women cleaning fish and birds: Two women are focused on preparing food. One woman on the left is cleaning birds while wearing a pink shirt with a towel draped around her neck. The other woman is on the right wearing glasses, a plaid dress, and blue gloves as she works with a bird.
Image of an elder preparing meat in the Naskapi Kitchen: An elder sits at a table cutting a large piece of meat. In front of her are trays filled with chunks of caribou. She looks calmly into the camera, with kitchen supplies visible in the background.

Because I need both power and a strong internet connection for my work, they set me up in the Naskapi Kitchen. It’s a good spot—not only because of the resources, but because I’m surrounded by the warmth and delicious smells of people preparing great food.

Benjamin Jancewicz's father, Bill Jancewicz, stands on a stage inside the big tent, leading a prayer alongside Maggie Mokoush-Swappie. They are dressed in traditional clothing, with Bill wearing a vest with colorful detailing, and Maggie holding a phone to read from. In the background, evergreen trees and traditional garments decorate the stage.
A second photo showing Bill Jancewicz and Maggie Mokoush-Swappie standing side by side on the stage. Bill reads from a phone while Maggie looks on thoughtfully. The soft sunlight filters through the tent, highlighting their traditional clothing and the peaceful atmosphere inside the big tent.

My dad, Bill Jancewicz, and Maggie Mokoush-Swappie led prayers and singing in the big tent today. Hearing their voices lift in prayer and song, with the camp growing quiet to listen, was a touching moment.

Image of an elder man in a gray shirt and a "Bass Pro Shops" hat: A close-up photo of a smiling elder man sitting outside a log cabin. He is wearing sunglasses, a gray polo shirt, and a watch. The warm sunlight casts soft shadows on the wooden wall behind him.
Two Naskapi elder women sitting together outside a log cabin: Two Naskapi elder women, one in a red jacket and the other in a navy-blue jacket and headscarf, sit together on a wooden bench outside a log cabin. They are bathed in golden sunlight, smiling softly as they enjoy the late afternoon.
A young woman and an elder woman laughing together: A joyful moment captured as a young woman in a black shirt sits with an elderly woman who is laughing, wearing a gray sweater and purple pants. They sit on a bench outside a log cabin with the name "Kitty" engraved on a sign above.

More elders were moving into the camp, and Naskapi elders occupied the 5 cabins surrounding the Big Tent.

A woman wearing a brown shirt concentrates as she uses a knife to clean a fish. She’s standing inside a white tent with plastic chairs in the background.
A second woman in a gray zip-up jacket and black bandana works alongside the first, carefully slicing a large fish, with a younger woman sitting in the background.
A container filled with cleaned fish, including large fillets and whole fish, with some salmon pieces arranged on the side, ready for cooking or further preparation.

Some elders stopped by the kitchen to offer advice and tips to the younger women who were cooking.

The sun sets behind a horizon of tents at the Naskapi camp, casting a warm golden light across the sky. The tents are framed by wooden poles, and a sign reading 'Magic English' is visible on one of them. The sky is filled with wispy clouds painted with soft hues of yellow, orange, and purple as the day transitions into evening. People gather around the tents, with some sitting and talking in the foreground, enjoying the peaceful atmosphere of the sunset.

Meanwhile, families were settling into their tents, preparing beds and visiting areas for the evening ahead.

Natush Peastitute stands in front of a white tent at the Naskapi camp during sunset. He is wearing a black jacket and a baseball cap, looking directly at the camera with a calm expression. Behind him, the sun is setting, casting a warm golden glow across the sky, with soft clouds illuminated by the fading light. The camp's tents and poles are visible in the background, and the scene captures the peaceful yet industrious atmosphere of the camp where Natush has been working hard for over a week, building platforms and setting up beds for the elders.

I’ve also noticed how hard workers like Natush Peastitute have been working. They’ve been here for over a week, building platforms, setting up beds, and installing tents for the elders. The level of dedication is inspiring.

A colorful sunset over the camp with tents and wooden poles visible in silhouette. The sky is filled with vibrant shades of orange, pink, and purple as the sun sets behind the trees on the horizon. The camp is peaceful and quiet, with tents glowing softly in the fading light.
A close-up of a Naskapi woman in an orange shirt standing at a table with cut-up cantaloupe in hand. She holds half of the melon, showing its orange flesh while smiling warmly at the camera. She is wearing blue gloves and working in a kitchen space with food supplies in the background.
Two Naskapi women stand side by side, one cutting a pineapple and the other slicing oranges into small wedges. Both wear protective gloves and work on a large plastic board in the camp kitchen. The table is filled with fruits and bags of orange slices, with kitchen supplies stacked behind them.
A Naskapi elder in a pink shirt sits at a table chopping vegetables with a large knife. The table is covered with foil pans full of cubed vegetables, and she appears focused on her work. The background shows the interior of the camp kitchen with stacked food supplies and kitchen equipment.
A group of Naskapi women in the kitchen, preparing food. Two of the women, one in an orange shirt and the other in a plaid top, smile while chopping various fruits and vegetables. They work amidst stacks of food supplies in the camp kitchen, surrounded by plastic containers, knives, and other kitchen tools.

As dusk began to fall, the camp slowed down, becoming softer and quieter. But the work in the kitchen wasn’t over yet! The ladies there were already busy preparing breakfast for the next day. While preparing cantaloupe, I couldn’t help but laugh when someone said, “This is just like butchering a seal!” Only in the North could you hear something like that!

The bright half-moon glows through a slightly cloudy night sky, illuminating tents covered in tarps and tree branch poles. The dark forest background adds to the serene nighttime atmosphere.
A breathtaking night sky filled with stars, with traditional tents below, illuminated softly. The campfire's glow in the background adds a warm light, while the sky remains clear and star-filled.
The moon shines brightly in the night sky, surrounded by stars. Tents, supported by tree branches, are dimly lit from within, offering a peaceful scene against the vast Northern sky.

By the time the half-moon rose, the stars were putting on a spectacular show, undimmed by the moonlight.

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The elders of the Innu Nation reflect on future generations – Sylvie Ambroise – Le Nord-Cotier

An aerial view of a large campsite at sunset shows rows of white tents spread across a vast open area. Trucks are parked near the tents, and a central road divides the camp. The sun is setting in the distance, casting a warm orange and yellow glow over the forest that surrounds the camp. The sky is filled with dramatic clouds, creating a peaceful yet majestic scene. The logo in the bottom right corner indicates the event is associated with the Naskapi.
An aerial view of a large campsite at sunset shows rows of white tents spread across a vast open area. Trucks are parked near the tents, and a central road divides the camp. The sun is setting in the distance, casting a warm orange and yellow glow over the forest that surrounds the camp. The sky is filled with dramatic clouds, creating a peaceful yet majestic scene. The logo in the bottom right corner indicates the event is associated with the Naskapi.

Photo Benjamin Jancewicz, photographe pour la nation Naskapis de Kawawachikamach

From August 26 to September 4, about fifteen communities gathered for a total of about 500 people. The dean of the group is from the community of Pakua-Shipu. Her name is Henriette Vollant, and she is 92 years old.

There are 170 tents erected on the site. Each community has a kitchen, and people cook three meals daily for the elderly. They live without water or electricity but can access the internet thanks to Sichun, an internet service company of three communities, the Naskapi, Matimekush/Lac-John, and Uashat mak Mani-utenam.

The Gathering of Elders is an annual activity of the Innu and Naskapi nations. This year’s novelty is the integration of the Atikamekws, whose participation is the first for them. They are represented by 37 people from the three Atikamekw communities.

“I am very happy to be here; I love the openness and brotherhood we have here with the Innu and the Naskapis,” says Hervé Ottawa, a companion of the Wemotaci community.

These nations can speak about their concerns and aspirations for generations to follow. Joyce Echaquan’s event unites them.

“Many people talk to me about what is happening in each of their communities, in their respective hospitals; they live from discrimination,” says Debby Flamand, organizer of the trip.

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The Gathering of Elders in Kawawachikamach commemorates pioneer Alexandre McKenzie – Paul Fontaine – Radio Canada

A campsite with multiple white tents is spread out over a flat area, surrounded by a forest of evergreen trees. The sunset paints the sky in vibrant hues of orange and yellow, casting a warm glow over the camp. Trucks are parked around the tents, and a few people are walking in the camp, preparing for the evening. The scene captures the peacefulness of the camp as the day comes to a close.
A campsite with multiple white tents is spread out over a flat area, surrounded by a forest of evergreen trees. The sunset paints the sky in vibrant hues of orange and yellow, casting a warm glow over the camp. Trucks are parked around the tents, and a few people are walking in the camp, preparing for the evening. The scene captures the peacefulness of the camp as the day comes to a close.

PHOTO: BENJAMIN JOSEPH JANCEWICZ

https://ici.radio-canada.ca/nouvelle/2100551/innu-naskapi-aines-culture-rassemblement

The annual Gathering of Elders, held in Kawawachikamach this year, honors the memory of Innu politician and pioneer Alexandre McKenzie, who passed away in May. For over 25 years, this event has brought together hundreds of Aboriginal people from Quebec and Labrador to celebrate seniors and the transmission of Aboriginal culture.

The Ka Mamunuiitananuch cultural site, situated between Schefferville and Kawawachikamach, was transformed for the occasion with the installation of over 150 tents and shaputuan to host the event’s activities, running from August 26 to September 4. The Gathering features songs, dances, craft workshops, and discussion circles focused on mental health, substance abuse, bereavement, traditional medicine, and caribou.

In addition to cultural celebrations, the Gathering serves as a platform for remembering Alexandre McKenzie’s legacy, especially his work in promoting Aboriginal traditions. The event features performances by Innu artists, with the group Maten from Mani-utenam closing the event. Nearly 350 participants arrived in Kawawachikamach via the Tshiuetin train, which connects Schefferville and Sept-Îles, with the Tshakapesh Institute—founded by McKenzie—helping fly in several elders to attend.

This year’s event welcomes delegations from the Cree and Atikamekw nations for the first time, along with dignitaries, families, and young people. Students from Jimmy Sandy Memorial Elementary School in Kawawachikamach also performed a traditional dance show. Next year, the Gathering will be hosted by Mashteuiatsh in Lac-Saint-Jean.

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Kawawachikamach hosts the Gathering of Innu and Naskapis Elders – Jean St-Pierre – Ma Cote Nord

Kawawachikamach accueille le Rassemblement des Aînés innus et naskapis
A campsite with numerous white tents and several parked vehicles stretches out under a dramatic sunset. The sky is a mix of dark clouds and vibrant colors from the setting sun. A flag in the foreground flutters in the wind, while the surrounding area appears to be a remote location with sparse trees on the horizon.
The Ka Mamunuiitananuch cultural site has been developed to accommodate more than 300 people. Photo by Benjamin Jancewicz

The annual gathering of the Innu Nation’s 2024 seniors is taking place for the first time in Naskapian land. The event opened this Tuesday morning with a tribute to the late Alexandre McKenzie, from Matimekush.

About 300 people from nine Innu communities in Quebec and two in Labrador landed yesterday by train and plane in the Schefferville area for this large gathering. It also hosts a delegation of the Atikamekw Nation. The chefs and several other leaders join the festivities.

Many conferences, training workshops, religious ceremonies, discussion tables and shows are on the program over 10 days. Each year, the gathering offers opportunities for reunion and to reconnect with certain traditions.

175 tents on an exceptional site

The organizers chose the cultural site of Ka Mamunuiitananuch, in the middle of nature. This burnt forest site is particularly special, with easy access to water and the forest that is starting to grow back. Bushes loaded with blueberries, tea and medicinal plants abound around the site.

The Elders gathering has been organized for a month. More than 175 tents have been set up, with several amenities for the comfort and safety of the Elders.

This is the 28th Gathering of Seniors, which will continue until September 4. The 2023 one took place at Unamen Shipu in Basse-Côte-Nord.

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From a City to a Campsite

The past few days have been a whirlwind, and because of a rockslide on the railway between Sept-Iles and Schefferville, the connection has been spotty.

So, let’s catch up!

Thursday, August 22:

I stopped at my friend Jeff’s house in upstate New York. Jeff’s place is a gorgeous cabin-style home nestled on the side of a mountain, right next to a babbling stream. The inside of his home is just as beautiful, with deep, dark wood and stained glass everywhere. It’s always a treat to stay there, and it’s the perfect halfway point between Baltimore and Montreal.

The image shows a cozy, sunlit corner of a living room. Sunlight streams through three large windows, casting warm light onto the hardwood floor and illuminating the room. A comfortable wooden armchair with a red cushion and a floral-patterned pillow is positioned near the windows, with a matching footstool in front of it. Next to the chair is a wooden side table holding a tall, leafy houseplant and a Tiffany-style lamp with a stained-glass shade. Books are stacked on the table and neatly arranged on the lower shelf. The room has a warm, inviting atmosphere, with natural light enhancing the earthy tones of the wooden furniture and the decorative area rug with a floral pattern that partially covers the floor. The overall scene evokes a sense of calm and comfort, ideal for reading or relaxing.

My journey began with a smooth drive through the Adirondacks to Montreal. The weather was perfect—cool breezes and clear skies made the lush, green mountains more breathtaking. Every time I pass through the Adirondacks, I feel I could stay there forever.

As much as I enjoyed the scenic drive, it wasn’t without a bit of drama. While cruising through the Adirondacks, I noticed a state trooper ahead who had pulled someone over. I knew I had to move over to give him space, but a Jeep tailgating me in the left lane refused to let me over. I finally squeezed into the middle of the road to get around the trooper, but about a half mile later, I got pulled over myself. I tried to explain to the officer that I’d attempted to move over, and after reviewing my dashcam footage together, he let me go with a warning. I’m glad he let me go, but most especially since I’ve worked on public service announcements about the Move Over law for the Baltimore City Department of Transportation.

The image is a selfie taken inside a car, showing the driver's side. The person in the photo, partially visible on the right side, has a full beard, wears round glasses, and is dressed in a black shirt with a bold, leafy yellow pattern. They are wearing a seatbelt, and their expression appears to be serious or neutral. In the background, through the rear window of the car, a state trooper's vehicle with flashing red lights is visible, indicating that the car has been pulled over. The surrounding area outside the car suggests a rural location, likely in the Adirondacks, with trees and a cloudy sky in the distance. The interior of the car shows part of the roof, a rearview mirror, and the edge of a sunroof.

When I reached Montreal, it was around 5:30 PM, just in time to pick up Marilyne from work. Navigating Montreal’s rush hour traffic is never fun, but with Marilyne beside me, we managed.

The image captures a vibrant sunset as seen from the Holiday Inn in Montreal. The sun is low on the horizon, glowing a deep red-orange as it sets behind a line of trees. The sky is a mix of warm oranges and reds with patches of soft gray clouds. Power lines stretch horizontally across the upper part of the image, adding an urban element to the scene. Below, a road and some greenery are visible, partially lit by the remaining daylight. The overall scene blends the beauty of nature with the everyday elements of the city.

We checked into our hotel near the airport, where I parked Pishu, and then we went down to the hotel restaurant for dinner. Unfortunately, the meal was a bit of a letdown. We waited over an hour for our plates, and when they finally arrived, the food was dry and overcooked. The staff wasn’t very attentive, even though the restaurant wasn’t busy.

The image shows a woman, identified as Marilyne, smiling warmly while seated at a table during a dinner date. She is wearing glasses and a colorful, patterned dress with shades of blue, red, yellow, and white. Marilyne is holding a smartphone in her hands, resting them on the table. Behind her is a decorative black screen with intricate cut-out designs, which contrasts with the warm wood paneling of the restaurant’s interior. The atmosphere appears cozy and intimate, highlighting the special moment between her and the person she’s with on this dinner date.

Still, we made the best of it, playing games and enjoying each other’s company. Afterward, we headed back upstairs and watched a bit of the DNC and The 3 Body Problem before heading to sleep.

The image is a close-up selfie of a couple, Marilyne and Benjamin Jancewicz, lying together and smiling at the camera. Marilyne is on the left, with her head resting on her hand, wearing glasses and a colorful, patterned outfit in shades of blue, red, yellow, and white. Benjamin is on the right, also wearing glasses, with a full beard and a content expression. The photo captures a moment of closeness and warmth between the two, reflecting their connection and affection for each other.

Friday, August 23:

This morning was a little hectic. Because I didn’t have my full-size suitcase, I had to get creative with my luggage. I was afraid of getting in trouble like I had last time because of all the batteries, drones, and cameras I traveled with. Marilyne reminded me to relax, we kissed goodbye, and I made it on my shuttle on time.

The image shows an exterior view of Montreal's airport terminal at dawn or dusk, with the sky overcast and the horizon glowing faintly with a hint of sunrise or sunset. The terminal building on the left features large glass windows reflecting the scene, with a curved glass canopy above the sidewalk. A prominent red and white sign on the building reads "Bienvenue / Welcome" in both French and English. Several vehicles are parked or moving along the curved road leading to the terminal entrance, and construction cranes are visible in the background, indicating ongoing development. The scene is calm, with a few people visible near the entrance, emphasizing the typical airport atmosphere.

The airport was pretty empty. When checking my luggage, I told the handler that one of the bags was full of equipment. She was no problem and sent me to the oversized section. They scanned it, gave it a special tag, and sent me on my way—easier than I thought!

The image shows a set of backpacks and luggage bins being processed through an airport's baggage handling system. Two large backpacks are placed inside gray plastic bins on a conveyor belt, ready for checking. One bag is black, and the other is gray with visible straps and padding. A partially visible airport worker, identifiable by a neon yellow safety vest with reflective orange stripes, stands to the left. The setting is industrial, with metal surfaces and yellow and black safety tape lining the edge of the conveyor belt, creating a typical airport baggage handling scene.

I wound through the airport and made it to the northern traveler wing. It always gives me a strange feeling. The wind is very out-of-the-way, poorly maintained and cleaned, and always gives me segregation vibes. The majority of passengers in this part of the airport are indigenous.

The image shows a long, empty airport corridor leading to gates 17-34, with two parallel moving walkways running down the center of the hall. The walls are white with a tiled texture, and the floor is speckled in shades of brown. Overhead, a sign displays gate numbers and symbols indicating accessible routes, no smoking, and no mobile phones. The walkways are lit by ceiling lights, creating a bright but slightly sterile atmosphere. The corridor appears to stretch far into the distance, with no visible people or activity, emphasizing the emptiness and quiet of the space.

I stopped at La Brasseur for a quick breakfast. Adnan, the head of the Naskapi telecom company Sichuun, was at the gate, heading up to do some work. They have outfitted the entire Elder’s Gathering site with WiFi for all the visitors coming. This is great for me because I’m hoping to upload lots of photos and videos the entire time.

After many hours and ups and downs from Montreal to Quebec City to Sept-Iles, I finally landed in Schefferville.

As soon as I got my baggage, Stella and Naomi took me out to the Elder’s gathering site! I took lots of photos, make sure you follow the page to see them all.

When I arrived, the camp was already buzzing with activity. I spent the day capturing photos, including drone shots of the entire site, which I plan to use to create a map later. It’s incredible to see how much the camp has grown, with more tents popping up as people arrive.

As the day turned to night, a stunning blood-red moon rose above the camp. It was a beautiful and surreal way to end the day.

A breathtaking scene of a dark, serene forest under the night sky. The focal point of the image is a large, blood-red moon glowing intensely against the pitch-black sky. The moon's striking color contrasts with the dark outlines of the tall pine trees in the background, creating a dramatic and eerie atmosphere. In the foreground, the dense underbrush, fallen logs, and scattered branches are illuminated just enough to show their texture, adding depth and mystery to the scene. The overall mood is one of quiet, almost otherworldly stillness, as nature seems to be in deep slumber under the haunting red moonlight.

I’m spent the night in a cozy little tent that the organizers let me use, bundled up under two blankets. The night air is brisk, but the blankets are warm, and I’m looking forward to tomorrow.

A small tent set up in a rustic, outdoor setting at night. The tent is constructed with a frame of wooden poles, tied together with rope, and covered with white canvas. The tent flap is open, revealing a simple interior with a wooden platform bed, covered in a black and white checkered blanket. The tent is illuminated by an outside light, casting a warm glow on the dirt ground and the structure itself. The dark blue night sky in the background contrasts with the bright tent, while other similar tents and a flagpole are faintly visible in the distance, adding to the feeling of being at a remote camp. The shadows of the poles and the tent's structure create patterns on the ground, contributing to the atmosphere of a quiet, solitary night in the wilderness.

Saturday, August 24:

I woke up this morning after a solid night’s sleep, feeling refreshed and ready for the day. The cool night air helped me sleep well, and despite my tent lacking a stove, I stayed warm under the blankets.

A view from inside a tent, looking up at the canvas roof. The fabric of the tent is illuminated by soft, natural light from outside, casting a warm glow across the interior. The canvas has a few faint stains and marks, giving it a well-used, rustic appearance. Visible at the bottom of the frame is part of a person wrapped in a black and white checkered blanket, lying down on a bed or sleeping surface. The simplicity of the scene conveys a peaceful, early morning or quiet moment inside the tent, with the gentle light filtering through the canvas walls. The tent's structure is supported by ropes and poles, which can be seen faintly through the fabric.

The camp was already alive with activity when I woke up, but I took a moment to walk down to the lake to pray, meditate, and prepare mentally for the day.

A tranquil scene of a clear, shallow lake with its bottom visible through the water. The water is calm, with gentle ripples, reflecting the deep blue sky above. The foreground shows sandy textures and a few scattered branches submerged just beneath the water's surface. Along the shore, lush green shrubs and plants extend into the frame. In the background, a dense forest of tall evergreen trees lines the opposite shore, standing against the horizon under a wide, cloudless sky. A small, faint moon can be seen in the vast expanse of blue sky, adding a serene, peaceful atmosphere to the scene.

Breakfast was simple but perfect—fresh blueberries from the bushes around the campsite. There’s nothing quite like the taste of wild blueberries in the morning.

A close-up image of a hand gently holding a small collection of freshly picked wild blueberries. The blueberries are a deep blue with some showing a slight frost-like coating, typical of wild berries. The background shows a rocky terrain, with light-colored stones and sparse vegetation, indicating that these berries were likely foraged in a natural, rugged setting. The hand appears slightly cupped, cradling the berries, with sunlight casting shadows and highlighting the texture of the skin and the natural beauty of the berries.

Throughout the day, I followed the workers around the site, documenting their progress with my camera so that we could share updates on the Elders Gathering Facebook page.

A man carrying a large, flat sheet of plywood on his shoulder while walking on a dirt path. The man appears to be wearing a dark T-shirt and pants, with glasses on his face. He is gripping the edge of the plywood with both hands to stabilize it as he walks. The background shows a construction area with makeshift structures made of wood and canvas, indicating a setting where temporary shelters are being built. The sky is clear and blue, and the sunlight casts strong shadows on the ground, highlighting the effort and manual labor involved in the task.

As I walked, I was accompanied by a sweet Rez dog named Myles, who decided to stick by my side. It was comforting to have him with me.

A close-up image of a dog being gently petted on the head by a hand. The dog has a dark, brindle-colored coat with patches of lighter fur. The dog’s eyes are closed, appearing content and relaxed under the person’s touch. The person’s hand, visible in the frame, is positioned gently on top of the dog’s head, suggesting a moment of affection and bonding. The background shows a dirt surface, possibly an outdoor setting, with the edge of the person's pants visible in the lower left corner of the frame.

My parents also visited the site today to manage a donation booth for the many tribes gathering here. The sense of community and generosity is wonderful, and it’s heartwarming to see everyone coming together.

A man stands under a white canopy tent on a sunny day, holding a large black sign with the word "DONATION" painted in white letters. He has a long beard, is wearing a black cap, and smiles as he poses for the photo. Several boxes are placed on the ground next to him, possibly containing donated items. The background shows a fenced area with some equipment visible in the distance.

The camp continues to grow as more people arrive. I flew my drone again this morning to update the map I’m creating in Illustrator, but by evening, there were already at least 20 more tents set up. And with three charter planes arriving tomorrow, the camp is set to grow even more.

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A night with the Moon and a day on the Road


Today’s drive was absolutely gorgeous. The weather was perfect—cool, breezy, and sunny at around 22°C. It’s interesting; I learned that this temperature is what it’s like year-round in the Canary Islands. Now I’m thinking I might like to visit there someday.

I woke up naturally this morning, feeling refreshed after a good night’s sleep. It was a much-needed rest, especially after staying up late packing. Packing has always been a task that seems simple until you’re in the middle of it, distracted by a million other things. Marilyne was on the phone with me, helping me stay on track and reminding me of the little things I might forget. Given how often I travel, I’m seriously considering just keeping certain luggage packed—it might save me some of the hassle next time.

Last night, as the packing wore on, I decided to take a break from packing and stepped outside to capture the supermoon. Lunar photography hasn’t always been my strong suit—my shots tend to come out blurry or overexposed. But last night, I spent some time under the moonlight, reading up on techniques, and finally managed to get a shot I’m proud of. It felt good to take the time, focus, and see it pay off.

After finishing my packing this morning, I managed to get on the road before noon. I had hoped to pick up my suitcase and a pair of rubber boots from the dry cleaners—items I dropped off over a month ago after Auta had an accident on them. After weeks of not hearing back from them despite my calls, they finally called three hours into my drive to say my things were ready. A little too late. I told them I’d pick everything up after my trip, but it was frustrating considering how long I had waited.

The drive itself was smooth for the most part. Traffic was light, and I had plenty of time to enjoy the scenery. I did see a pretty rough motorcycle accident on the opposite side of the road, which gave me pause. I’ve thought about getting a new motorcycle now and then, but I’m not so sure after my last crash in 2019. It brought back memories of another accident I had years ago when I was still in college. That one was serious, too—my bike hit a concrete guardrail, and I ended up in the emergency room. Thankfully, I made a full recovery both times, but seeing that accident today made me rethink the idea of getting back on a bike. I wrote about the first accident in a blog post and shared my experience with the more recent one in a Twitter thread.

The best part of the day was reaching Jeff’s house in upstate New York. Jeff’s a good friend I met on Twitter years ago, and he’s been kind enough to offer me a place to stay halfway between Baltimore and Montreal. Breaking up the trip like this makes it so much more manageable. He made an incredible dinner—chicken, rice, and Brussels sprouts—and we spent the evening laughing and watching TV shows and movies. Moments like these make me grateful for the friends I have in my life.

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Videos, Patreon, Restlessness, and Vacation

The image is a screenshot of Benjamin Jancewicz's Patreon profile page. The banner at the top features a close-up of Benjamin’s hand-drawn artwork titled "Chisaayaakw," depicting the face of a bear against a dark background with intricate red patterns on the side. Below the banner is a profile picture of Benjamin Jancewicz, where he is seen smiling and leaning his head on his arm, with vibrant colors in the background. The text under the profile picture reads "Benjamin Jancewicz," followed by the description "creating Vector Art, Videography, & Photography." There is also a link to his Patreon page: patreon.com/benjancewicz. Icons for various social media platforms, including Facebook, Instagram, Twitch, YouTube, and TikTok, are displayed below the description. The navigation menu at the bottom includes options like Home, Collections, Shop, Membership, About, and Recommendations, indicating the different sections of the Patreon page.

Today was one of those days where everything seemed to pile up at once. I started the day catching up on a ton of work at the Department of Transportation, especially tasks related to our social media presence. The highlight was finishing Frank’s retirement video—a project that took longer than expected but came together beautifully.

The image is a graphic design celebrating "50 Years of Frank." The design has a black background with elegant gold lettering on the left side that reads "50 Years of Frank" in a stylized font. On the right side of the image, there is a circular photo of a man with short hair, a beard, and glasses, wearing a suit and tie. The photo is bordered by thin gold lines that extend horizontally across the graphic, adding to the sophisticated and celebratory feel of the design. The corners of the image are adorned with small, ornate gold details, enhancing the overall formal and elegant theme.

I was struck by the variety of people who sent in videos wishing Frank well. Colleagues, coworkers, people who have moved on to other jobs and agencies—even several mayors left video messages for him. It was a touching reminder of his impact on so many people, and I’m glad I could pull it all together before heading out on my trip.

The image is a screenshot of Benjamin Jancewicz's Patreon profile page. The banner at the top features a close-up of Benjamin’s hand-drawn artwork titled "Chisaayaakw," depicting the face of a bear against a dark background with intricate red patterns on the side. Below the banner is a profile picture of Benjamin Jancewicz, where he is seen smiling and leaning his head on his arm, with vibrant colors in the background. The text under the profile picture reads "Benjamin Jancewicz," followed by the description "creating Vector Art, Videography, & Photography." There is also a link to his Patreon page: patreon.com/benjancewicz. Icons for various social media platforms, including Facebook, Instagram, Twitch, YouTube, and TikTok, are displayed below the description. The navigation menu at the bottom includes options like Home, Collections, Shop, Membership, About, and Recommendations, indicating the different sections of the Patreon page.

Yesterday, I received three new patrons on my Patreon account—two paid and one free. Seeing people appreciate the work I put out there is always encouraging. My long-term goal with Patreon is to have it become my primary source of income. Honestly, I wish to do design work for free and give it away. My design agency charges for projects because I have to pay my bills, but Patreon brings me closer to my goal of working on art and design projects that I can give away.

Even though my Patreon is small, it has a group of dedicated and loving supporters who make it possible for me to keep creating. You can sign up here if you’d like to support my work and get some cool perks.

The rest of the day involved tying up many loose ends, including graphics for new speed cameras around Baltimore and an extensive ad campaign for an upcoming job fair that will be featured on billboards across the city. I’m proud of the designs, but the workload was intense, especially with the pressure of preparing for my time off.

The image is a flyer designed by Benjamin Jancewicz for the Baltimore City Department of Transportation, announcing that they are hiring. The flyer is primarily orange, white, and yellow, with large, bold text at the top that reads "HIRING." Below that, it states, "We have many positions available," followed by a list of job titles such as Transportation Enforcement Officer I, Engineer Associate Supervisor, Traffic Maintenance Worker I, and others. The flyer also provides details about an on-site interview event on September 6th, from 10 AM to 3 PM at War Memorial, 101 N. Gay Street. There is a QR code in a circular badge labeled "Apply Today" along with a phone number, 410-396-6868. The bottom of the flyer features an illustration of five diverse individuals, each with different skin tones and hairstyles, standing together and smiling, promoting inclusivity. The Baltimore City Department of Transportation's logo is at the bottom left, with social media handles and a web address for more information.
The image is a billboard design by Benjamin Jancewicz for the Baltimore City Department of Transportation, announcing a hiring event. The billboard has an orange background with large, bold text stating "HIRING" at the top, followed by details of the hiring fair, which is scheduled for September 6th, from 10 AM to 3 PM at War Memorial, 101 N. Gay Street. Below the text is an illustration of five diverse individuals, each with different skin tones and hairstyles, standing together. The bottom of the billboard features the Baltimore City Department of Transportation's logo, social media icons, and the website transportation.baltimorecity.gov/jobs.
The image is another flyer designed by Benjamin Jancewicz for the Baltimore City Department of Transportation, similar to the first one but with slightly different formatting. It prominently features the word "HIRING" in large, bold text, followed by an invitation to a hiring fair on September 6th, from 10 AM to 3 PM at War Memorial, 101 N. Gay Street. The flyer includes an illustration of five diverse individuals standing together, promoting inclusivity. The bottom of the flyer has the Baltimore City Department of Transportation’s logo, social media icons, and a web address for more information.

I didn’t sleep well last night—too much on my mind. It was a restless night between staying up late to work and then lying awake thinking about everything I still needed to do. To top it off, traffic on the way to work was a nightmare, with several accidents slowing me down. I was already running behind, and that didn’t help. Thankfully, my boss was understanding, and we managed to have a productive day, even squeezing in a lunch meeting at Rosina Gourmet.

The image shows a meal set on a light wooden table, consisting of a sandwich, a side of pasta salad, a bag of potato chips, and a cup of iced chai. The sandwich, made by Rosina Gourmet, is served on a round plate and is cut into two halves, each secured with a toothpick. It appears to be a ciabatta roll with ingredients like tomato, greens, and possibly cheese and deli meat. To the side of the sandwich is a small portion of rotini pasta salad coated in a green pesto sauce. A bag of potato chips is partially visible next to the plate, and a clear plastic cup of iced chai with a black straw is placed behind the plate. The setting suggests a casual lunch, possibly at a café or sandwich shop.

My boss has been pretty stressed out lately, but she’s started taking a step back, making the work environment a lot nicer. Over lunch, we chatted about my trip, seeing Marilyne, and shared stories about her mom and my grandmother.

One thing that’s been frustrating me lately is how taking a vacation feels like a punishment. In the U.S., it seems like the expectation is to finish all your work before you leave, making it nearly impossible to truly relax and recharge. My job is unique, and because of that, there aren’t many people who can step in and cover for me when I’m away. While that provides some job security, taking time off is also incredibly difficult.

I love what I do, but it’s wearing me out. It’s a constant balancing act, and today was just another reminder of how much I need this upcoming break.

Now that the workday is over, I’m spending the rest of the evening packing for my trip. I’m feeling really good about it—I’ve made an exhaustive packing list, including clothing for all kinds of weather and all the tech gear I’ll need to take lots of pictures and do plenty of recordings. I’m bringing several extra hard drives to ensure enough room for all the files. It’s a lot to think about, but I’m looking forward to finally getting on the road.

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A Symposium, Clouds, Frank, Fish, and Prepping

Today was a mix of familiar routines and new beginnings. It started with the annual Crossing Guards Symposium—my second year covering the event. Alan Robinson, as always, set the tone with his energy, preparing the crowd for the day.

The image captures a large indoor assembly at the annual Crossing Guards Symposium, viewed from behind the speaker, Alan Robinson, as he sets the tone for the day with his energetic presence. The event takes place in a grand hall, featuring tall, ornate columns along the walls, adorned with circular emblems and flags between them. The ceiling is decorated with elaborate chandeliers that cast a warm glow over the room. The audience, mostly crossing guards wearing bright yellow vests and caps, is seated in rows of chairs, facing the speaker. Some attendees are taking notes or holding materials, fully engaged in the proceedings. At the far end of the hall, large murals or panels add a historical and artistic backdrop to the formal setting. The Department of Transportation (DOT) logo is visible in the bottom right corner, indicating the event's focus on transportation and safety.

The room was bigger this time, letting me play around with some wide-angle shots I didn’t capture last year.

This image shows Tavon Braxton speaking at the podium during the annual Crossing Guards Symposium. He is dressed in a dark vest and light blue shirt, addressing an audience of crossing guards, many of whom are wearing bright yellow vests and caps. The setting is a grand hall with tall columns, circular emblems on the walls, and various flags displayed behind the audience. The audience appears attentive, and the overall atmosphere is formal and focused, reflecting the importance of the event.

After the symposium, it was back to the office. I don’t love spending long hours there, but the view from my window has its perks. Watching storm clouds roll over Baltimore provided a moment of peace, a reminder that there’s beauty to be found, even on the busiest days.

The image captures a cityscape view of Baltimore from an elevated vantage point, likely through a window. The foreground features lush green trees, while the middle ground includes a mix of historic and modern buildings. A tall, red brick tower with a green roof stands prominently on the left side of the image, contrasted against a backdrop of towering cumulus clouds. The sky is a vibrant blue, filled with a mix of fluffy white clouds that appear to be rolling in, possibly signaling an approaching storm. The scene exudes a sense of calm and beauty, with the natural elements juxtaposed against the urban environment.

One of the day’s highlights was when Frank Murphy, who recently retired after 50 years of service, stopped by the office. We spent a long time talking about visiting national parks and cool places—he’s a walking encyclopedia for the Department of Transportation. It was a meaningful conversation, especially since I won’t be able to attend his send-off party later this week.

The image shows an older man with gray hair, sitting in a small office or study room. He is wearing a yellow checkered short-sleeved shirt and light gray pants. The man is seated on a cushioned chair, leaning slightly forward with his hands clasped, as if in deep thought or conversation. Behind him on the wall is a framed map, and to the right, a shelf holds a few large books, including a dictionary. A colorful map or chart with various sections is also visible on the wall near the bookshelf. The room has a casual, functional feel, with additional items like a fan and cleaning supplies visible on the shelf. The door to the room is partially open, revealing a whiteboard with some sketches and notes on it.

We exchanged numbers to stay in touch. I was grateful to have had that time with him today.

By the time I wrapped up, I was exhausted. Knowing I wouldn’t have the energy to cook, I stopped by the Full Moon Pub & Grill for some fish and chips. It wasn’t just about the food—it was a chance to unwind and let the day settle.

The image shows a plate of fish and chips served on a sheet of paper designed to resemble an old-fashioned newspaper. The meal includes golden-brown fried fish, crispy fries, a small side of coleslaw in a black plastic container, and a small cup of tartar sauce. The paper beneath the food has visible text, with the headline "WORLD DAILY NEWS" prominently displayed. The table is wooden, and in the background, there is a black cloth napkin rolled up and placed on the table next to a plastic cup filled with ice water and a straw. The overall presentation has a casual, pub-style feel.

But today isn’t just about work. I’m gearing up for a trip north, with a stop in Montreal to see Marilyne. I love spending time with her.

After Montreal, I’ll head to Kawawachikamach for the Elders’ Gathering. It’s the first time in 20 years that my hometown is hosting this event, and I’m honored to be documenting it. Capturing candid moments between the elders—many of whom I see as grandparents—is something I’m particularly looking forward to. These are stories that need to be preserved.

The journey continues.

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Building trust in an environment of misinformation – An interview with Johns Hopkins Center for Health Security

I’m thrilled to share that the Johns Hopkins Center for Health Security recently featured me in a video interview as part of their article “Checklist to Build Trust, Improve Public Health Communication, and Anticipate Misinformation During Public Health Emergencies.”

In the interview, Adam Abadir and I discuss our work with the Baltimore City Health Department during the COVID-19 pandemic.

We developed a unique, viral approach to public health communications. Our strategies aimed to rebuild trust within our community and enhance resilience against misinformation, which had a significant impact during these challenging times.

Building trust in public health is crucial, especially during emergencies, and it’s an honor to have our efforts recognized. Check out the video and learn more about the checklist developed to help public health departments improve their communication strategies:

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Baltimore Firefighters save victim from Potter Street fire, officials say – Lexi Harpster – Fox 45

Flames erupt from the front of a rowhouse, with black smoke filling the sky. The fire appears to have consumed much of the interior, with firefighters working to control the blaze.
Aerial view of a street with emergency responders and fire trucks attending to a rowhouse fire. The roof of one home is severely damaged, with fire personnel using ladders and hoses to control the situation.
Close-up aerial shot of firefighters on the roof of a rowhouse, which has visible fire damage. Fire trucks and ladders are positioned to access the roof, while the surrounding area appears to have suffered significant damage.
Firefighters working on the ground and on ladders to access the second floor of a rowhouse engulfed in smoke. Emergency responders are visible on the roof, and thick smoke rises from the building.
Aerial shot of firefighters gathering around a rowhouse with severe roof damage. A large section of the roof has collapsed, and hoses and ladders are in use to manage the aftermath of the fire.
Thick black smoke billows from a house engulfed in flames, with bright orange fire visible in one of the rowhouses. Firefighters and emergency vehicles are on the street, as the fire continues to burn.
Firefighters work in front of a burning rowhouse, flames pouring out from the front door. The building is surrounded by thick smoke as emergency personnel attempt to contain the fire.

BALTIMORE (WBFF) — Baltimore City Firefighters saved a victim from a residential fire in Southwest Baltimore on Monday, according to the department.

The department says at approximately 3:30 p.m., Baltimore City Firefighters battled a working dwelling fire in the 4200 block of Potter Street in Southwest Baltimore. Units arrived on the scene to find fire and smoke conditions coming from the first floor of this location. Firefighters performed a scene assessment and 360-degree observation and performed an interior attack on the fire. While performing search and rescue operations firefighters located a victim inside the dwelling. The victim was secured by firefighters and removed to the exterior where they are being cared by paramedics at the scene.

Fire officials say while battling the fire, firefighters identified holes in the floors of the structure that could create unsafe conditions. The incident commander ordered an evacuation of the structure to assure the safety of firefighters. At this time there have been no reports of injuries to any firefighters.